Nihilism, Art, Technology; Sven-Olov Wallenstein; 2011

Nihilism, Art, Technology

av Sven-Olov Wallenstein
Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism-the invention of photography, the step beyond art in Futurism and Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and '30s-this book analyzes three philosophical responses to the question of nihilism-those of Walter Benjamin, Ernst Jünger, and Martin Heidegger-all of which are characterized by an avant-garde sensibility that looks to art as a way to counter of the crisis of modernity.
These responses are then brought to bear on the work of the architect Mies van der Rohe, whose "silence"-understood as a withdrawal of language, sense, and aesthetic perception-is analyzed as a key problem in the interpretation of the legacy of modernism. From this, a different understanding of nihilism, art, and technology emerges. These concepts form a field of constant modulation, which implies that the foundations of critical theory must be subjected to a historical analysis that acknowledges them as ongoing processes of construction, and that also accounts for the capacity of technologies and artistic practices to intervene in the formation of philosophical concepts.
Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism-the invention of photography, the step beyond art in Futurism and Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and '30s-this book analyzes three philosophical responses to the question of nihilism-those of Walter Benjamin, Ernst Jünger, and Martin Heidegger-all of which are characterized by an avant-garde sensibility that looks to art as a way to counter of the crisis of modernity.
These responses are then brought to bear on the work of the architect Mies van der Rohe, whose "silence"-understood as a withdrawal of language, sense, and aesthetic perception-is analyzed as a key problem in the interpretation of the legacy of modernism. From this, a different understanding of nihilism, art, and technology emerges. These concepts form a field of constant modulation, which implies that the foundations of critical theory must be subjected to a historical analysis that acknowledges them as ongoing processes of construction, and that also accounts for the capacity of technologies and artistic practices to intervene in the formation of philosophical concepts.
Utgiven: 2011
ISBN: 9789186883010
Förlag: Axl Books
Format: Bok
Språk: Engelska
Sidor: 130 st
Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism-the invention of photography, the step beyond art in Futurism and Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and '30s-this book analyzes three philosophical responses to the question of nihilism-those of Walter Benjamin, Ernst Jünger, and Martin Heidegger-all of which are characterized by an avant-garde sensibility that looks to art as a way to counter of the crisis of modernity.
These responses are then brought to bear on the work of the architect Mies van der Rohe, whose "silence"-understood as a withdrawal of language, sense, and aesthetic perception-is analyzed as a key problem in the interpretation of the legacy of modernism. From this, a different understanding of nihilism, art, and technology emerges. These concepts form a field of constant modulation, which implies that the foundations of critical theory must be subjected to a historical analysis that acknowledges them as ongoing processes of construction, and that also accounts for the capacity of technologies and artistic practices to intervene in the formation of philosophical concepts.
Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism-the invention of photography, the step beyond art in Futurism and Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and '30s-this book analyzes three philosophical responses to the question of nihilism-those of Walter Benjamin, Ernst Jünger, and Martin Heidegger-all of which are characterized by an avant-garde sensibility that looks to art as a way to counter of the crisis of modernity.
These responses are then brought to bear on the work of the architect Mies van der Rohe, whose "silence"-understood as a withdrawal of language, sense, and aesthetic perception-is analyzed as a key problem in the interpretation of the legacy of modernism. From this, a different understanding of nihilism, art, and technology emerges. These concepts form a field of constant modulation, which implies that the foundations of critical theory must be subjected to a historical analysis that acknowledges them as ongoing processes of construction, and that also accounts for the capacity of technologies and artistic practices to intervene in the formation of philosophical concepts.
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Om Nihilism, Art, Technology (2011)

I juli 2011 släpptes boken Nihilism, Art, Technology skriven av Sven-Olov Wallenstein. Den är skriven på engelska och består av 130 sidor djupgående information. Förlaget bakom boken är Axl Books.

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