New Trends in Contemporary Latin American Narrative; T Robbins, J Gonzlez; 2014
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New Trends in Contemporary Latin American Narrative Upplaga 1

av T Robbins, J Gonzlez
Examining a rich new generation of Latin American writers, this timely collection offers new perspectives on the current status of Latin American literature in the age of globalization. Essays examine the anthology McOndo, which rejected magical realism as the primary literary mode of Latin America, and the Crack group, which argued for a return to more complex narrative, as turning points for Latin American narratives and for a new generation of authors. Instead of perpetuating the simple blueprint of Postboom magical realism, this volume argues that the authors studied in here combine social preoccupations, such as drug trafficking, with aesthetic ones. In many cases, authors like the Crack group members, Roberto Bolano, Rodrigo Fresan, Evelio Rosero, or Ena Lucia Portela, directly dialogue with the Boom authors while other authors, like Diego Trelles Paz or Yolanda Arroyo, utilize new technologies to create dynamic creative projects.
Examining a rich new generation of Latin American writers, this timely collection offers new perspectives on the current status of Latin American literature in the age of globalization. Essays examine the anthology McOndo, which rejected magical realism as the primary literary mode of Latin America, and the Crack group, which argued for a return to more complex narrative, as turning points for Latin American narratives and for a new generation of authors. Instead of perpetuating the simple blueprint of Postboom magical realism, this volume argues that the authors studied in here combine social preoccupations, such as drug trafficking, with aesthetic ones. In many cases, authors like the Crack group members, Roberto Bolano, Rodrigo Fresan, Evelio Rosero, or Ena Lucia Portela, directly dialogue with the Boom authors while other authors, like Diego Trelles Paz or Yolanda Arroyo, utilize new technologies to create dynamic creative projects.
Upplaga: 1a upplagan
Utgiven: 2014
ISBN: 9781137444707
Förlag: Palgrave Macmillan
Format: Inbunden
Språk: Engelska
Sidor: 241 st
Examining a rich new generation of Latin American writers, this timely collection offers new perspectives on the current status of Latin American literature in the age of globalization. Essays examine the anthology McOndo, which rejected magical realism as the primary literary mode of Latin America, and the Crack group, which argued for a return to more complex narrative, as turning points for Latin American narratives and for a new generation of authors. Instead of perpetuating the simple blueprint of Postboom magical realism, this volume argues that the authors studied in here combine social preoccupations, such as drug trafficking, with aesthetic ones. In many cases, authors like the Crack group members, Roberto Bolano, Rodrigo Fresan, Evelio Rosero, or Ena Lucia Portela, directly dialogue with the Boom authors while other authors, like Diego Trelles Paz or Yolanda Arroyo, utilize new technologies to create dynamic creative projects.
Examining a rich new generation of Latin American writers, this timely collection offers new perspectives on the current status of Latin American literature in the age of globalization. Essays examine the anthology McOndo, which rejected magical realism as the primary literary mode of Latin America, and the Crack group, which argued for a return to more complex narrative, as turning points for Latin American narratives and for a new generation of authors. Instead of perpetuating the simple blueprint of Postboom magical realism, this volume argues that the authors studied in here combine social preoccupations, such as drug trafficking, with aesthetic ones. In many cases, authors like the Crack group members, Roberto Bolano, Rodrigo Fresan, Evelio Rosero, or Ena Lucia Portela, directly dialogue with the Boom authors while other authors, like Diego Trelles Paz or Yolanda Arroyo, utilize new technologies to create dynamic creative projects.
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