Modern art, 1851-1929 : capitalism and representation
- Utgiven: 1999
- ISBN: 9780192842206
- Sidor: 274 st
- Förlag: Oxford University Press
- Format: Häftad
- Språk: Engelska
Om boken
The period 1851 to 1929 witnessed the rise of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. It was also a time of rapid social, economic, and political change, encompassing a revolution in communication systems and technology, and an unprecedented growth in the availability of printed images. Richard Brettell's innovative account explores the aims and achievements -- the beautiful and the bizarre -- of artists such as Monet, Gauguin, Picasso, and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and the museum. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media he presents a fresh approach to the fine art and photography of this remarkable era.
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Mer om Modern art, 1851-1929 : capitalism and representation (1999)
1999 släpptes boken Modern art, 1851-1929 : capitalism and representation skriven av Richard R. Brettell. Den är skriven på engelska och består av 274 sidor. Förlaget bakom boken är Oxford University Press.
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Referera till Modern art, 1851-1929 : capitalism and representation
Harvard
Brettell, R. R. (1999). Modern art, 1851-1929 : capitalism and representation. Oxford University Press.
Oxford
Brettell, Richard R., Modern art, 1851-1929 : capitalism and representation (Oxford University Press, 1999).
APA
Brettell, R. R. (1999). Modern art, 1851-1929 : capitalism and representation. Oxford University Press.
Vancouver
Brettell RR. Modern art, 1851-1929 : capitalism and representation. Oxford University Press; 1999.
