The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film; M Flisfeder; 2012
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The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film Upplaga 1

av M Flisfeder
Slavoj Zizek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert's Guide to Cinema and Examined Life. Although Zizek refers to cinema in order to help explain difficult concepts in his theoretical writing, Matthew Flisfeder argues that Zizek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theories aim to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Slavoj Zizek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert's Guide to Cinema and Examined Life. Although Zizek refers to cinema in order to help explain difficult concepts in his theoretical writing, Matthew Flisfeder argues that Zizek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theories aim to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Upplaga: 1a upplagan
Utgiven: 2012
ISBN: 9780230341470
Förlag: Palgrave Macmillan
Format: Inbunden
Språk: Engelska
Sidor: 195 st
Slavoj Zizek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert's Guide to Cinema and Examined Life. Although Zizek refers to cinema in order to help explain difficult concepts in his theoretical writing, Matthew Flisfeder argues that Zizek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theories aim to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Slavoj Zizek is one of the world's most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert's Guide to Cinema and Examined Life. Although Zizek refers to cinema in order to help explain difficult concepts in his theoretical writing, Matthew Flisfeder argues that Zizek's writing on film radically reorients the scope of contemporary film studies. Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theories aim to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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Om The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film (2012)

I oktober 2012 släpptes boken The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film skriven av M Flisfeder. Det är den 1a upplagan av kursboken. Den är skriven på engelska och består av 195 sidor djupgående information. Förlaget bakom boken är Palgrave Macmillan som har sitt säte i London.

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