Reproducing languages, translating bodies : approaches to speech, translation and cultural identity in early European sound film; Anna Sofia Rossholm; 2006

Reproducing languages, translating bodies : approaches to speech, translation and cultural identity in early European sound film

av Anna Sofia Rossholm
This study offers historical and theoretical approaches to film versions, speech/voice and translation in early French, German and Swedish sound film. Media, translation and speech are discussed in terms of "universal language" vs. "linguistic diversity", "media transposition" vs. "language translation", and "speech as words" vs. "speech as body". The reading of versions and translation as an issue beyond specific languages, involving the "transposition" of media inscriptions and the "doubling" of bodies, also reframes speech as an ethnic and cultural signifier in a European context.
This study offers historical and theoretical approaches to film versions, speech/voice and translation in early French, German and Swedish sound film. Media, translation and speech are discussed in terms of "universal language" vs. "linguistic diversity", "media transposition" vs. "language translation", and "speech as words" vs. "speech as body". The reading of versions and translation as an issue beyond specific languages, involving the "transposition" of media inscriptions and the "doubling" of bodies, also reframes speech as an ethnic and cultural signifier in a European context.
Utgiven: 2006
ISBN: 9789185445509
Förlag: Acta Universitatis Stockholmiensis
Format: Häftad
Språk: Engelska
Sidor: 214 st
This study offers historical and theoretical approaches to film versions, speech/voice and translation in early French, German and Swedish sound film. Media, translation and speech are discussed in terms of "universal language" vs. "linguistic diversity", "media transposition" vs. "language translation", and "speech as words" vs. "speech as body". The reading of versions and translation as an issue beyond specific languages, involving the "transposition" of media inscriptions and the "doubling" of bodies, also reframes speech as an ethnic and cultural signifier in a European context.
This study offers historical and theoretical approaches to film versions, speech/voice and translation in early French, German and Swedish sound film. Media, translation and speech are discussed in terms of "universal language" vs. "linguistic diversity", "media transposition" vs. "language translation", and "speech as words" vs. "speech as body". The reading of versions and translation as an issue beyond specific languages, involving the "transposition" of media inscriptions and the "doubling" of bodies, also reframes speech as an ethnic and cultural signifier in a European context.
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