Ladies First? : Women Directors and the Cannes Film Festival; Karoline Eriksson; 2016
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Ladies First? : Women Directors and the Cannes Film Festival

av Karoline Eriksson
In 2012, the Cannes Film Festival was criticised for not including any feature films directed by women in the coveted Palme d'Or competition. This thesis is a case study of the debate around female representation in the Palme d'Or competition in Cannes 2010-2014. The thesis analyzes how the small amount of women-directed films in the Palme d'Or competition was discussed in the media and in forums within and outside the festival 2010-2014, and how the situation relates to the state of gender equality in the global film industry. The second chapter contains an overview of the history and current situation for women filmmakers, and discusses possible explanations for why female filmmakers are so few compared to male ones.
In 2012, the Cannes Film Festival was criticised for not including any feature films directed by women in the coveted Palme d'Or competition. This thesis is a case study of the debate around female representation in the Palme d'Or competition in Cannes 2010-2014. The thesis analyzes how the small amount of women-directed films in the Palme d'Or competition was discussed in the media and in forums within and outside the festival 2010-2014, and how the situation relates to the state of gender equality in the global film industry. The second chapter contains an overview of the history and current situation for women filmmakers, and discusses possible explanations for why female filmmakers are so few compared to male ones.
Utgiven: 2016
ISBN: 9789176112465
Förlag: Karoline Eriksson
Format: Häftad
Språk: Engelska
Sidor: 110 st
In 2012, the Cannes Film Festival was criticised for not including any feature films directed by women in the coveted Palme d'Or competition. This thesis is a case study of the debate around female representation in the Palme d'Or competition in Cannes 2010-2014. The thesis analyzes how the small amount of women-directed films in the Palme d'Or competition was discussed in the media and in forums within and outside the festival 2010-2014, and how the situation relates to the state of gender equality in the global film industry. The second chapter contains an overview of the history and current situation for women filmmakers, and discusses possible explanations for why female filmmakers are so few compared to male ones.
In 2012, the Cannes Film Festival was criticised for not including any feature films directed by women in the coveted Palme d'Or competition. This thesis is a case study of the debate around female representation in the Palme d'Or competition in Cannes 2010-2014. The thesis analyzes how the small amount of women-directed films in the Palme d'Or competition was discussed in the media and in forums within and outside the festival 2010-2014, and how the situation relates to the state of gender equality in the global film industry. The second chapter contains an overview of the history and current situation for women filmmakers, and discusses possible explanations for why female filmmakers are so few compared to male ones.
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Om Ladies First? : Women Directors and the Cannes Film Festival (2016)

I februari 2016 släpptes boken Ladies First? : Women Directors and the Cannes Film Festival skriven av Karoline Eriksson. Den är skriven på engelska och består av 110 sidor djupgående information om film och fotografi. Förlaget bakom boken är Karoline Eriksson.

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KurslitteraturKulturFilm och fotografiLadies First? : Women Directors and the Cannes Film Festival
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