Jens Fänge: Drömmarna; Magnus af Petersens, Martin Herbert, Olov Jonason, Caroline Engh Klingborg; 2018

Jens Fänge: Drömmarna Upplaga 1

av Magnus af Petersens, Martin Herbert, Olov Jonason, Caroline Engh Klingborg
Through Jens Fänge's paintings we enter into dreamscapes populated by people, puppets and pictures. They inhabit scenes consisting of distorted rooms with walls and floors in vibrant colours and patterns, and deepperspectives that create a slight feeling of vertigo and disorientation. Fänge pushes the limits of painterly dimensionality by extending his fictional realms beyond the hermetic picture plane and out into real space. Characterized by heavily made-up eyes, thin arched brows and coiffed hair, the androgynous protagonists of many of Fänge s paintings recall certain portraits by German Expressionist painters such as Otto Dix and Elfriede Lohse Wächtler. Drömmarna is a publication in English and Swedish that comprises both newly produced work and earlier paintings from Fänge's extensive body of work. Published in collaboration with Bonniers Konsthall, Stockholm, Sweden, on the occasion of the exhibition Drömmarna in 2018.
Through Jens Fänge's paintings we enter into dreamscapes populated by people, puppets and pictures. They inhabit scenes consisting of distorted rooms with walls and floors in vibrant colours and patterns, and deepperspectives that create a slight feeling of vertigo and disorientation. Fänge pushes the limits of painterly dimensionality by extending his fictional realms beyond the hermetic picture plane and out into real space. Characterized by heavily made-up eyes, thin arched brows and coiffed hair, the androgynous protagonists of many of Fänge s paintings recall certain portraits by German Expressionist painters such as Otto Dix and Elfriede Lohse Wächtler. Drömmarna is a publication in English and Swedish that comprises both newly produced work and earlier paintings from Fänge's extensive body of work. Published in collaboration with Bonniers Konsthall, Stockholm, Sweden, on the occasion of the exhibition Drömmarna in 2018.
Upplaga: 1a upplagan
Utgiven: 2018
ISBN: 9789188031570
Förlag: Art and Theory
Format: Inbunden
Språk: Svenska
Sidor: 193 st
Through Jens Fänge's paintings we enter into dreamscapes populated by people, puppets and pictures. They inhabit scenes consisting of distorted rooms with walls and floors in vibrant colours and patterns, and deepperspectives that create a slight feeling of vertigo and disorientation. Fänge pushes the limits of painterly dimensionality by extending his fictional realms beyond the hermetic picture plane and out into real space. Characterized by heavily made-up eyes, thin arched brows and coiffed hair, the androgynous protagonists of many of Fänge s paintings recall certain portraits by German Expressionist painters such as Otto Dix and Elfriede Lohse Wächtler. Drömmarna is a publication in English and Swedish that comprises both newly produced work and earlier paintings from Fänge's extensive body of work. Published in collaboration with Bonniers Konsthall, Stockholm, Sweden, on the occasion of the exhibition Drömmarna in 2018.
Through Jens Fänge's paintings we enter into dreamscapes populated by people, puppets and pictures. They inhabit scenes consisting of distorted rooms with walls and floors in vibrant colours and patterns, and deepperspectives that create a slight feeling of vertigo and disorientation. Fänge pushes the limits of painterly dimensionality by extending his fictional realms beyond the hermetic picture plane and out into real space. Characterized by heavily made-up eyes, thin arched brows and coiffed hair, the androgynous protagonists of many of Fänge s paintings recall certain portraits by German Expressionist painters such as Otto Dix and Elfriede Lohse Wächtler. Drömmarna is a publication in English and Swedish that comprises both newly produced work and earlier paintings from Fänge's extensive body of work. Published in collaboration with Bonniers Konsthall, Stockholm, Sweden, on the occasion of the exhibition Drömmarna in 2018.
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