French Comedy on Screen; R Lanzoni; 2014
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French Comedy on Screen

av R Lanzoni
French film comedies have always been extremely popular with English-speaking audiences, especially in America with the numerous Hollywood remakes of comedies from France. These films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. Often a combination of several genres, they can be described as a hybrid art form, incorporating basic slapstick elements (the Lumiere's brothers' L'arroseur arrose, 1895) all the way to rather daring, even delicate subjects such as war (Autant-Lara's La traversee de Paris, 1956) or racism (Philippe de Chauveron's Qu'est-ce qu'on a fait au Bon Dieu? 2014). The diversity of disciplines - history, linguistics, and social and political sciences - that form the background of this analysis guarantees a variety of approaches. French Comedy on Screen investigates the different methods in which these comedies textually inscribed and exemplified an array of cultural and historical landmarks.
French film comedies have always been extremely popular with English-speaking audiences, especially in America with the numerous Hollywood remakes of comedies from France. These films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. Often a combination of several genres, they can be described as a hybrid art form, incorporating basic slapstick elements (the Lumiere's brothers' L'arroseur arrose, 1895) all the way to rather daring, even delicate subjects such as war (Autant-Lara's La traversee de Paris, 1956) or racism (Philippe de Chauveron's Qu'est-ce qu'on a fait au Bon Dieu? 2014). The diversity of disciplines - history, linguistics, and social and political sciences - that form the background of this analysis guarantees a variety of approaches. French Comedy on Screen investigates the different methods in which these comedies textually inscribed and exemplified an array of cultural and historical landmarks.
Utgiven: 2014
ISBN: 9780230338425
Förlag: Palgrave Macmillan
Format: Inbunden
Språk: Engelska
Sidor: 265 st
French film comedies have always been extremely popular with English-speaking audiences, especially in America with the numerous Hollywood remakes of comedies from France. These films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. Often a combination of several genres, they can be described as a hybrid art form, incorporating basic slapstick elements (the Lumiere's brothers' L'arroseur arrose, 1895) all the way to rather daring, even delicate subjects such as war (Autant-Lara's La traversee de Paris, 1956) or racism (Philippe de Chauveron's Qu'est-ce qu'on a fait au Bon Dieu? 2014). The diversity of disciplines - history, linguistics, and social and political sciences - that form the background of this analysis guarantees a variety of approaches. French Comedy on Screen investigates the different methods in which these comedies textually inscribed and exemplified an array of cultural and historical landmarks.
French film comedies have always been extremely popular with English-speaking audiences, especially in America with the numerous Hollywood remakes of comedies from France. These films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. Often a combination of several genres, they can be described as a hybrid art form, incorporating basic slapstick elements (the Lumiere's brothers' L'arroseur arrose, 1895) all the way to rather daring, even delicate subjects such as war (Autant-Lara's La traversee de Paris, 1956) or racism (Philippe de Chauveron's Qu'est-ce qu'on a fait au Bon Dieu? 2014). The diversity of disciplines - history, linguistics, and social and political sciences - that form the background of this analysis guarantees a variety of approaches. French Comedy on Screen investigates the different methods in which these comedies textually inscribed and exemplified an array of cultural and historical landmarks.
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Om French Comedy on Screen (2014)

I oktober 2014 släpptes boken French Comedy on Screen skriven av R Lanzoni. Den är skriven på engelska och består av 265 sidor djupgående information. Förlaget bakom boken är Palgrave Macmillan som har sitt säte i London.

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