Auto : self-representation and digital photography; Sarah Kember, Willem Popelier, Louise Wolthers, Daniel Trottier; 2014
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Auto : self-representation and digital photography Upplaga 1

av Sarah Kember, Willem Popelier, Louise Wolthers, Daniel Trottier
Today we are all photographers. Self-portraits are everywhere and snapshots of our lives are circulated and shared frenetically on various social media networks. Distinctions are blurred, not only between the private and public spheres but also between professional and amateur photographic practices. This calls for increased knowledge about the performative characteristics of digitized and networked visual communication. What are the limits of automation and what is the potential of virtuality? When is visuality empowering and when is self-monitoring out of control? Auto investigates how the everyday digital photography of our times challenges notions of autobiography, interactivity, and democracy.
Today we are all photographers. Self-portraits are everywhere and snapshots of our lives are circulated and shared frenetically on various social media networks. Distinctions are blurred, not only between the private and public spheres but also between professional and amateur photographic practices. This calls for increased knowledge about the performative characteristics of digitized and networked visual communication. What are the limits of automation and what is the potential of virtuality? When is visuality empowering and when is self-monitoring out of control? Auto investigates how the everyday digital photography of our times challenges notions of autobiography, interactivity, and democracy.
Upplaga: 1a upplagan
Utgiven: 2014
ISBN: 9789198087451
Förlag: Art and Theory
Format: Häftad
Språk: Engelska
Sidor: 151 st
Today we are all photographers. Self-portraits are everywhere and snapshots of our lives are circulated and shared frenetically on various social media networks. Distinctions are blurred, not only between the private and public spheres but also between professional and amateur photographic practices. This calls for increased knowledge about the performative characteristics of digitized and networked visual communication. What are the limits of automation and what is the potential of virtuality? When is visuality empowering and when is self-monitoring out of control? Auto investigates how the everyday digital photography of our times challenges notions of autobiography, interactivity, and democracy.
Today we are all photographers. Self-portraits are everywhere and snapshots of our lives are circulated and shared frenetically on various social media networks. Distinctions are blurred, not only between the private and public spheres but also between professional and amateur photographic practices. This calls for increased knowledge about the performative characteristics of digitized and networked visual communication. What are the limits of automation and what is the potential of virtuality? When is visuality empowering and when is self-monitoring out of control? Auto investigates how the everyday digital photography of our times challenges notions of autobiography, interactivity, and democracy.
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Om Auto : self-representation and digital photography (2014)

I juli 2014 släpptes boken Auto : self-representation and digital photography skriven av Sarah Kember, Willem Popelier, Louise Wolthers, Daniel Trottier. Det är den 1a upplagan av kursboken. Den är skriven på engelska och består av 151 sidor djupgående information om konstens värld. Förlaget bakom boken är Art and Theory.

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