As You Like It; William Shakespeare, Jamieson (EDT), Michael Hattaway; 2000

As You Like It

av William Shakespeare, Jamieson (EDT), Michael Hattaway
Lively, instructive access to Shakespeare's rich and complex works. Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This edition offers an account of what makes the play both innocent and dangerous, mapping the complexities of its setting (a no-man's-land related to both France and England) and giving an ample commentary on its language and an analytical account of performance.
Lively, instructive access to Shakespeare's rich and complex works. Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This edition offers an account of what makes the play both innocent and dangerous, mapping the complexities of its setting (a no-man's-land related to both France and England) and giving an ample commentary on its language and an analytical account of performance.
Utgiven: 2000
ISBN: 9780521222327
Förlag: Cambridge Univ Pr
Format: Inbunden
Språk: Engelska
Sidor: 219 st
Lively, instructive access to Shakespeare's rich and complex works. Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This edition offers an account of what makes the play both innocent and dangerous, mapping the complexities of its setting (a no-man's-land related to both France and England) and giving an ample commentary on its language and an analytical account of performance.
Lively, instructive access to Shakespeare's rich and complex works. Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This edition offers an account of what makes the play both innocent and dangerous, mapping the complexities of its setting (a no-man's-land related to both France and England) and giving an ample commentary on its language and an analytical account of performance.
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