An Introduction to Animals and Visual Culture; R Malamud; 2012
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An Introduction to Animals and Visual Culture

av R Malamud
How and why do people 'frame' animals so pervasively, and what are the ramifications are of this habit? For animals, being put into a cultural frame (a film, a website, a pornographic tableau, an advertisement, a cave drawing, a zoo) means being taken out of their natural contexts, leaving them somehow displaced and decontextualized. Human vision of the animal equates to power over the animal. We envision ourselves as monarchs of all we survey, but our dismal record of polluting and destroying vast swaths of nature shows that we are indeed not masters of the ecosphere. A more ethically accurate stance in our relationship to animals should thus challenge the omnipotence of our visual access to them.
How and why do people 'frame' animals so pervasively, and what are the ramifications are of this habit? For animals, being put into a cultural frame (a film, a website, a pornographic tableau, an advertisement, a cave drawing, a zoo) means being taken out of their natural contexts, leaving them somehow displaced and decontextualized. Human vision of the animal equates to power over the animal. We envision ourselves as monarchs of all we survey, but our dismal record of polluting and destroying vast swaths of nature shows that we are indeed not masters of the ecosphere. A more ethically accurate stance in our relationship to animals should thus challenge the omnipotence of our visual access to them.
Utgiven: 2012
ISBN: 9781137009838
Förlag: Palgrave Macmillan
Format: Häftad
Språk: Engelska
Sidor: 167 st
How and why do people 'frame' animals so pervasively, and what are the ramifications are of this habit? For animals, being put into a cultural frame (a film, a website, a pornographic tableau, an advertisement, a cave drawing, a zoo) means being taken out of their natural contexts, leaving them somehow displaced and decontextualized. Human vision of the animal equates to power over the animal. We envision ourselves as monarchs of all we survey, but our dismal record of polluting and destroying vast swaths of nature shows that we are indeed not masters of the ecosphere. A more ethically accurate stance in our relationship to animals should thus challenge the omnipotence of our visual access to them.
How and why do people 'frame' animals so pervasively, and what are the ramifications are of this habit? For animals, being put into a cultural frame (a film, a website, a pornographic tableau, an advertisement, a cave drawing, a zoo) means being taken out of their natural contexts, leaving them somehow displaced and decontextualized. Human vision of the animal equates to power over the animal. We envision ourselves as monarchs of all we survey, but our dismal record of polluting and destroying vast swaths of nature shows that we are indeed not masters of the ecosphere. A more ethically accurate stance in our relationship to animals should thus challenge the omnipotence of our visual access to them.
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Om An Introduction to Animals and Visual Culture (2012)

I maj 2012 släpptes boken An Introduction to Animals and Visual Culture skriven av R Malamud. Den är skriven på engelska och består av 167 sidor djupgående information. Förlaget bakom boken är Palgrave Macmillan som har sitt säte i London.

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