After Images; Amy Arbus; 2013

After Images

av Amy Arbus
An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.
An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.
Utgiven: 2013
ISBN: 9780764344558
Förlag: Schiffer Publishing
Format: Inbunden
Språk: Engelska
Sidor: 64 st
An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.
An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.
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